The Lionelle is emo  progressive rock similar to Cursive, The Cure and Brand new. They are  currently recording an additional album, but until then, Shipwreck and  Oh, the Company That We  Keep! can both be found on Bandcamp. In case you haven’t figured it out  yet, Bandcamp is the only music site not yet blocked at my work.
Tate McCallum-Law who  sings and plays the guitar has been an active supporter at Kilby Court  and played guitar for Allred for several years.  While Lionelle is  reminiscent of Cursive and  other early emo bands, they do bring new elements to the genre. The  song structures don’t always follow the typical Verse/Chorus format and  many of the lyrics can seem abstract at one moment only to quickly come  into focus. With Lionelle many of the songs  can reach as long as 5 and 6 minutes, this with the combination of Tate  singing style can challenge the listener.
While Tate’s sound is a  sharp contrast to the crooning of Allred, I would not be crushed to hear  more singing from Tate. I believe there is a delicate balance between  art and entertainment,  but music should entertain always entertain. A few minor changes could  make Lionelle a little more accessible. I do believe screaming will have  its place in music, yet one of the lessons hoped to be  learned from  hardcore and screamo of the past decade are  the limitation it’s vocalization style brings. I do not mean to  categorize Lionelle with those two styles, but the music does toe the  line. The quality of the musicianship and recording on these CD’s are  undeniable and the uses of different instruments are  fun and exciting, and I expect great things for the upcoming songs.  Unequivocally, I’m a fan of Lionelle. Stand out tracks for Shipwreck are  Curses and My Friends.

 
 



